Phase 7
Six operators, thirty-two ways to turn motion into tone.
AvailableInstrumentExperimental
Phase 7C
Six operators with an editable FM matrix.
About
Choose a factory instrument or an algorithm template, then edit the same underlying operator and routing parameters.
Set modulation between any pair of operators, including self-feedback and cycles, then choose which operators feed the output.
Presets
Start from a named sound, then adjust the instrument to make it yours.
InitBRASS 1BRASS 2BRASS 3STRINGS 1STRINGS 2STRINGS 3ORCHESTRAPIANO 1PIANO 2PIANO 3E.PIANO 1GUITAR 1GUITAR 2SYN-LEAD 1BASS 1BASS 2E.ORGAN 1PIPES 1HARPSICH 1CLAV 1VIBE 1MARIMBAKOTOFLUTE 1ORCH-CHIMETUB BELLSSTEEL DRUMTIMPANIREFS WHISLVOICE 1TRAINTAKE OFFPIANO 4PIANO 5E.PIANO 2E.PIANO 3E.PIANO 4PIANO 5THSCELESTETOY PIANOHARPSICH 2HARPSICH 3CLAV 2CLAV 3E.ORGAN 2E.ORGAN 3E.ORGAN 4E.ORGAN 5PIPES 2PIPES 3PIPES 4CALIOPEACCORDIONSITARGUITAR 3GUITAR 4GUITAR 5GUITAR 6LUTEBANJOHARP 1HARP 2BASS 3BASS 4
Signal graph.
ExperimentalA sketch of the signal path, in the order of the parameter groups.
